Studio, network, and control room systems for broadcast facilities

Most broadcast facilities grow one renovation at a time, and it shows

A second studio gets added, but the cabling still runs off the original build. Master control carries gear from three renovations that never quite matched, and nobody documented which cable feeds which monitor wall. The raw footage on your servers is worth more than the equipment around it, yet it sits behind the badge system that came with the building. For broadcast and post-production facilities, DCMM builds the structured cabling, control room integration, and access control that a production-scale operation actually needs.

The next expansion starts from a drawing, not a guess

Every project starts with a walkthrough of your current facility, plus whatever expansion is already on the drawing board. Every drop gets rated for the file sizes a production moves, not the file sizes a typical office network assumes. Everything gets documented, so when the next studio gets built, the crew can see exactly what’s already in the walls before opening a single ceiling tile.

Studio and control room build-out

• Studio layouts built around your camera blocking and lighting rig
• Control room integration that centralizes switching, mixing, and monitoring
• Set and studio cabling built for reconfiguration between productions

Network and data infrastructure

• Fiber optic and shielded cabling for high-volume, international data transfers
• Network architecture built around the file volumes production generates
• Every connection terminated and tested before handoff

Security and access control

• Access control for editing suites and the footage that lives on them
• Programmed credentials per staff member, integrated with existing security
• Cameras covering facility entrances and equipment storage

Live production and streaming

• Streaming builds that push a live signal out to every platform you publish to
• Remote production paths so a director can call a show without being on-site
• An engineer stays reachable during the broadcast itself, not just for setup
• Infrastructure sized to add a second control room without a rebuild